Books I’ve Loved Lately: Flawed Protagonists, Perfect Reads

I just finished reading four books, back to back, and each one was STELLAR. That never happens, so you better believe I’m excited to praise these reads, all of which have a common thread–each features a flawed, unconventional protagonist.

I AM NOT A SERIAL KILLER by Dan Wells.

Six Second Summary: (From flap) John Wayne Cleaver is dangerous, and he knows it. To keep his obsession with serial killer under wraps and under control, he lives by rigid rules he’s written for himself, practicing normal high school life as if it were a private religion that could save him from damnation. After a string of brutal murders terrorizes his town, John has to confront a danger outside himself, a threat he can’t control, a menace to everything and everyone he would love, if only he could.

I loved it because: Wells’ voice is electric–he keeps the action moving at a fast clip, but all the while, we feel the misunderstood, melancholy wounds that John Wayne Cleaver tries to conceal. There are twists and unexpected turns of fate that make I AM NOT A SERIAL KILLER nothing less than stone cold amazing–don’t miss it.

Shelve it between: DARKLY DREAMING DEXTER by Jeff Lindsay and your copy of SUPERNATURAL: Season One, two other chilling, thrilling diversions.

BLACK HEART by Holly Black

Six Second Summary: (Adapted from flap) Cassel Sharpe comes from a long line of con artists and curse workers. Everyone wants him–the crime families and feds, but he’s just trying to stay out of trouble and protect the headstrong girl who’s always held his heart. Cassel will need every ounce of wit and will to make one last score, a final play to win his freedom once and for all.

I loved it because: It’s no secret I adored WHITE CAT and RED GLOVE, but Holly Black outdid herself this time–BLACK HEART is a David Mamet meets Mario Puzo masterpiece, one of the very best trilogy conclusions I’ve ever finished. Get thee to a bookstore right now and pick it up.

Shelve it between: David Mamet’s sleeper con-artist flick, THE SPANISH PRISONER and Mario Puzo’s THE GODFATHER. Yeah, it’s that good. A top shelf trilogy.

DROWNING INSTINCT by Ilsa J. Bick

Six Second Summary: Jenna Lord hides a lot of scars–her psycho dad and drunk mother haven’t protected her in life, and when Jenna meets Mitch Anderson, her chemistry teacher and coach, she’s drawn to him. He’s the one person she can trust, the one honest adult who makes her feel safe. In Drowning Instinct, lines are crossed and we’re left to wonder: Who’s the monster, who’s the victim, and who should live happily ever after?

I loved it because: I can’t resist stalker-ific stories or tales of obsessive love. DROWNING INSTINCT is both, and it’s just the right kind of unsettling story. One that’s filled with desperation and doomed affection–the kind that makes you weep and that won’t let you look away.

Shelve it between: Emily Bronte’s WUTHERING HEIGHTS and TEACH ME by R.A. Nelson, two more breathtaking, catastrophically heartbreaking tales.

 

 

CAN I SEE YOUR ID? by Chris Barton

Six Second Summary: (From flap) True crime, desperation, fraud, and adventure: From the impoverished young woman who enchanted nineteenth-century British society as a faux Asian princess, to the lonely but clever Frank Abagnale of Catch Me if You Can fame, Barton’s ten vignettes offer riveting insight into mind-blowing masquerades. Each scene is presented in the second person, a unique point of view that literally places you inside the faker’s mind. The psychology of deception has never been so fascinating or so close at hand.

I loved it because: Who can say no to the ultimate choose-your-own adventure experience? I loved slipping into the minds of these sometime ne’er-do-wells, people who pulled off the ultimate deceptions. Second person POV is risky, but Barton pulls off a gutsy move to great success. CAN I SEE YOUR ID? is a rare non-fiction treat, a book that unspools like a series of suspenseful capers.

Shelve it between: CATCH ME IF YOU CAN by Frank W. Abagnale and FLAWLESS: INSIDE THE LARGEST DIAMOND HEIST IN HISTORY by Scott Andrew Selby, two more ‘truth is stranger than fiction’ thrillers.

 

Hungry for more? Try this recipe for ultra-dark, super sinful BLACK MAGIC CAKE.

Binge!

Writing Young Adult Books Class: Meet the Special Guests!

I have news! The University of Texas at Arlington contacted me about developing/teaching a few courses for writers. This spring, I’m teaching Writing Young Adult Books. You do NOT have to be a UTA student. Anyone can enroll.

The class will run for five sessions, Monday Evenings from 7-9 p.m. CST.

Session one: April 30th

Session two: May 7th

Session three: May 14th

Session four: May 21st

Session five: June 4th (No class on May 28th for Memorial Day).

Basically, during the class, I’m sharing every secret I’ve ever learned about writing, querying, revising, landing an agent. And here’s the thing…You won’t just be learning from me and from the other students in the class…You’ll be learning from some amazing industry pros!

Check out these STELLAR SPECIAL GUESTS!

GWEN HAYES lives in the Pacific Northwest with her real life hero, their children, and the pets that own them. She writes stories for teen and adult readers about love, angst, and saving the world. Gwen’s first novel, Falling Under, was released in March of 2011 by NAL/Penguin and followed up by the sequel, Dreaming Awake, in January of 2012. She is represented by Jessica Sinsheimer of the Sarah Jane Freymann Literary Agency. You can find her at http://www.gwenhayes.com/

Gwen will be sharing her expertise in creating chemistry between characters!

Jeff Hirsch is originally from the suburbs just south of Richmond, VA. Growing up, he always knew he wanted to do something artistic but it wasn’t until he started writing poetry and short stories in Junior High that something really stuck. Jeff  graduated from the University of California, San Diego, with an MFA in Dramatic Writing and is the author of The Eleventh Plague and Magisterium (Scholastic).  He lives in Beacon, New York, with his wife. Visit him online at www.jeff-hirsch.com.

Jeff will wow us with his expert skills in writing taut action with emotional intensity!

Kiera Cass is a graduate of Radford University and currently lives in Blacksburg, Virginia with her family. Her fantasy novel The Siren was self-published in 2009, and The Selection is her young adult debut. Kiera has kissed approximately fourteen boys in her life. None of them were princes. You can keep up with her at http://www.kieracass.com/

Kiera will be Skyping into class to answer all your burning questions about the writers’ journey! (Did you know CW snapped up The Selection, and a pilot is in the works?! You might want to ask her about it.)

Rosemary Clement-Moore is the author of award-winning supernatural mystery novels for young (and not so young) adults, including Texas Gothic, The Splendor Falls, and the Maggie Quinn: Girl versus Evil series. Her books have been included on the YALSA list of best books for teens, the New York Public Library’s Books For the Teen Age and Kirkus Reviews best teen books of 2011 and received starred reviews from Kirkus Reviews and School Library Journal. A recovering thespian with a master’s degree in communication, she now puts her drama queen skills to use writing novels and posting on Twitter. She loves coffee, dogs, history, Jane Austen, archeology, fantasy novels, comic books, Gilbert and Sullivan, BBC America, Star Wars, books with kissing and movies with lots of explosions. You can visit her webpage at www.rosemaryclementmoore.com.
Rosemary will appear (in person!) to teach us all about making magic on the page–creating rich narratives that sing with romance and  crackle with adventure.

Sara Crowe  is an agent at Harvey Klinger, Inc. where she represents adult fiction and nonfiction and children’s fiction. Her clients include NYT Bestselling author Jonathan Maberry, Nina LaCour, Michael Northrop, Lisa Schroeder, Kristen Tracy, and Dan Wells. Her authors have been nominated for Edgars and the Morris Award and have been on the ALA Best Fiction for Young Adults list and in the Top Ten. She is consistently ranked among the top three YA agents in Publishers Marketplace. You can check out her submission guidelines at http://saracrowe.com

Lucky for me, Sara is my own (WONDERFUL!) agent.  She’ll be chiming in to offer advice and answer all your burning questions about agents and the industry in general.

In case I hadn’t mentioned it yet, I CAN’T WAIT FOR THIS CLASS!  https://www.uta.edu/wconnect/CourseStatus.awp?~~12CO1722001

Emperor Mollusk Vs. The Sinister Brain: Epic A. Lee Martinez Giveaway!

My friend, the inimitable, awesome A. Lee Martinez, has a book coming out March 5th! In honor of Emperor Mollusk Vs. The Sinister Brain, I’m hosting an interview (you gotta check out what he has to say about humor and universal themes, guys.) and an EPIC FOUR BOOK PRIZE PACK GIVEAWAY!

Um, did I mention that each of the books is autographed and each one has a different, original sketch with the signature?! So cool.

All you gotta do to enter is read and leave a comment/additional question. Enter by midnight,  Thursday, March 1st.  Coolest comment/question wins. 

Interview:

1. I’m always glad to get a sneak peek of your pages at DFW Writers’ Workshop. For everyone else, can you share a little bit about your latest, Emperor Mollusk Versus the Sinister Brain?

 It’s a story of a great supervillain (who happens to be a squid from Neptune) and what happens after he decides he’s not so happy being a bad guy anymore.  He’s not exactly seeking redemption, but he’s not interested in doing the villain thing either.  The only problem is that he’s basically too amazing to not be in the center of some sort of grand adventure, and since he lives in a universe where adventure is found in every corner, that means retirement isn’t easy.

Ultimately, it’s a novel in the tradition of pulp sci fi / fantasy.  Emperor lives in a reality where every planet in our solar system is inhabited, where lost civilizations are a dime a dozen, and where everything he does is important.  He’s Doc Savage, John Carter, or any number of larger-than-life protagonists who rule their stories through virtue of being incredible and absurd ideals.  In Mollusk’s case, he’s smarter than you, and he knows it.  If Lex Luthor came from Neptune and had no Superman to stand in his way, he’d be Emperor Mollusk.

So on one level, the story is about mutant dinosaurs and giant robot fights.  And on the other, it’s about the struggle that we all have to deal with, about figuring out our place in this universe, learning to live with our mistakes, and hopefully, not repeating them.  Except Emperor’s mistakes can blow up planets, so there’s extra pressure right from the get go.

2. It’s no secret that I’ve nicknamed you ‘Existential Loki’ because you write books with heft, heart and wit. You’ve mentioned before that humor is underrated in storytelling. Care to elaborate?

Maybe not humor specifically, but just fun in general.  There’s this tendency, probably as old as time, to assume that if a story isn’t Serious Business, then it’s just silly and slight.  We have always seen humor as an escape mechanism, something it often is, but we also tend to think of it as unimportant or easy.  It’s absurd.  I think drama is great, but it doesn’t have to equal melodrama.  A story can make you smile, have weird elements, and still have some emotional heft.

To put it one way:  If a story is about a protagonist’s personal growth as he becomes a better person, that’s generally considered light.  If a story is about a protagonist’s personal growth, but then he gets run over by a car, that’s generally considered deep.  And I’ve just never gotten that.  I don’t need characters to die or tragedy to be invested in something.  It’s an artificial paradigm that I reject.  Of course, I write books about robot detectives and space squids, so my opinion probably doesn’t count.

3. In your books, you explore universal themes in new, thought provoking ways. What core ideas spark your imagination, time and again?

First of all, thanks for that.

I don’t know if it’s intentional or not, but most of my stories revolve around an outsider who is trying to live his or her life the best way they can.  I think that is something we can all relate to.  We all feel like outsiders now and then, strangers in a strange world.  My characters vary, but with rare exception, they are usually good people who end up in odd situations where the rules as they know them no longer apply.  And then they swim upstream, hoping to make sense of it.  If they’re lucky, they sometimes even find a place in the world.  But regardless, it’s all about living our lives without screwing up too badly and hopefully, helping each other along the way.

It’s not a new theme, but I’d like to think I can bring something new to the table now and then.

 4. What inspired you to become a writer and how did you get started?

 I was inspired by my lack of desire to do anything else.  I wasn’t “driven” to write stories like most people who start writing seem to claim.  I wasn’t certain what else to do with my life, and it seemed like a cool job to pursue.  I did consider art, and as technology has made being an artist easier, I might have even gone into that instead.  But at the time, I felt I was a better writer than artist.  I still think that’s true, but then again, who knows how I might have progressed as an artist if I’d put my energy into it?

 I started by writing novels and sending them out.  In the beginning, I had a very specific schedule.  I’d write for two to three hours a day, finish a novel in six to eight months, and submit with wild abandon.  I was fortunate enough to have Mom as a beta reader (and great source of moral and financial support to boot), and it helped me to figure a lot of things out.  And then I found the DFW Writer’s Workshop (completely by accident since the internet was mostly a rumor at that point) and got even more guidance.  It took a long time, but with a lot of help, I managed to get my break.  The rest, as they say, is history.

 5. I know you read a lot of non-fiction. Can you recommend something you’ve read lately?

Reality is Broken by Jane McGonical is a great book about video games versus reality and how reality could learn a few things from video games.  I love games of all sorts, so it has a great appeal to me.

I’m also enjoying That is All by John Hodgman, though I’m not sure that qualifies as non-fiction.  Still, a very funny book.

6. Who is your favorite fictional hero? Why? 

If I have to pick one, I’d probably go with Tarzan.  There is something about him.  He’s an outsider who is always viewing the world from a different perspective, and he’s also intelligent and formidable.  He fights lions and dinosaurs and LOVES to read, which is something that gets overlooked a lot in most media.

 7. Last Question. Finish this sentence: “I wish more people…”

…would buy my books.

 (Ha, I knew you would lead off with that, A. Lee.)

Just kidding.  Actually, no I’m not.  I do wish that.

But if I have to create a non-selfish wish, I’d have to say I wish more people would try harder to accept each other.  I don’t mean “understand” each other.  I mean just relax and stop hassling the other guy.  We don’t need to understand each other.  We just need to accept that people are going to be different, and that’s cool.  I don’t know why anyone wears dresses or watches reality TV.  But I don’t have to get it to respect their rights to do so.  We waste a lot of energy trying to convince people who don’t like us that we are worth liking, and for the most part, it falls on deaf ears.  It’s also exhausting.

 We do love to fight over our weird choices and strange habits, even while wondering why no one gets our own choices and habits.  Just imagine how much we could accomplish if we dropped all that busy work.

We’d have more time to read books about evil geniuses from Neptune, for one.

Shoot me a comment or question to win this AUTOGRAPHED PILE OF GREATNESS! You’ll get a whole library of A. Lee’s books!

 

Mmm…MOMOFUKU MILK BAR COOKBOOK GOODNESS!

After reviewing the advanced reader version, you better believe I’ll be picking up a final copy for my kitchen. Without a doubt, Christina Tosi’s Momofuku Milk Bar is exactly what a good cookbook should be—illuminative, engaging, and filled with gorgeous, addictive desserts.

Following a terrific foreword by David Chang, author Tosi introduces herself and shares  how Momofuku Milk Bar came to be. We learn how it evolved from a tiny spot—a prep table and a downstairs freezer—into a thriving entity in its own space. The origin story is entertaining on its own, but add the next section, which includes Tosi’s ‘hardbody’ tricks and tips, and you’ve got a stellar introduction to an outstanding menu of to-die-for treats.

 And let me tell you, you won’t find three or four tempting recipes in these pages, you will marvel at the wonderland of options. Just glancing over the signature dishes (Crack Pie, Cereal Milk, Compost Cookies, Candy Bar Pie…) is enough to drive me to fire up the ovens. These dishes are so much more than the sum of their parts.

 Tosi hasn’t just listed recipes, she narrates them. It’s as if the master chef is at your side, guiding you through preparation of all the dishes. And she does it in a way that’s manageable for all levels of cooks. Many shortcut substitute measurements and ingredients are listed beside the more complicated counterparts—you can measure by gram or by the familiar volume. (On a side note, now I finally grasp why creaming the sugar and butter is so critical to a perfect cookie texture.)

 The narrative flavor speaks to one of the best qualities of the cookbook—it’s so incredibly versatile. Tosi doesn’t just give rigid instructions for discrete fare. She provides interchangeable building blocks of flavor and texture—so many crumbs, crusts, crunches, and curds(!) I can use in my own mad scientist sweet tooth lab. After reading the cookbook and trying a few things out, I felt confident about the foundational elements and techniques. Now I can combine them to suit my own taste.

 Mmmmm….I’m giving this book a permanent place on my kitchen shelf. Tosi calls her work a labor of love. I call it scrumptiously brilliant.  

 Hungry for more? Try this L.A. Times rendition of Crack Pie.

ENTWINED by Heather Dixon

 

Although Entwined is a retelling of the twelve dancing princesses, it stands on its own as an enchanting story, a fairy tale romance with unique elements of magic and suspense. Dixon’s story threads are at first golden and whisper light, but as the novel unwinds, the author weaves in darker tones. When Azalea and her royal sisters discover a magicked passageway, they all become entangled in a moonlit snare. Night after night, they return to Keeper’s Pavillion to dance. But Keeper, their mysteriously handsome host, is not all he appears to be. For Azalea, a touch of silver reveals the frightening truth about blood oaths and curses–her castle, her kingdom, and her life are all in danger.

 

Dixon has a special knack for subtle characterization and gorgeous detail. Azalea is no cookie cutter Princess Royale–she’s resourceful and delightfully headstrong, the caring eldest sibling to her motherless sisters. Along with protagonist, many of the other principal players evolve as Azalea’s perceptions change. Page by page, the reader comes to love Lord Bradford (the Princess Royale’s swoonworthy suitor) Mr. Pudding (an elderly servant), Lord Teddie (a surprising and silly visitor) and even grim Fairweller (the handsome, but sober minded Prime Minister). The dynamics between all players change as the plot thickens–the relationship between Azalea and her estranged royal father is especially poignant. The texture of these relationships makes the novel feel all the more satisfying and complete.

 

I reccommend ENTWINED for anyone with a weakness for rich, well drawn fairy tales. This one’s an absolutely lovely debut.

 

Hungry for more? Like Azalea’s mother, I enjoy a rich, moist white cake. This recipe is delicious, the same one I use for basic layer and strawberry shortcakes.

 

Binge!

 

My Ten Year Old Reviews THE FOURTH STALL by Chris Rylander

Hi. This is jmartinlibrary’s 10 year old kid.

So this review isn’t done by some looney forty year old. Not my mother, of course, you weirdo. My mom isn’t anywhere near 40, and she isn’t looney, either.

Anyway.

I loved THE FOURTH STALL by Chris Rylander. It’s great for kids (Ha! Take that, children!) ages 10-14. It’s 314 pages of awesomeness. So… 4 ½ stars. It was really cool, one of the funniest books I’ve read in a long time.

Wait…(shuffles through papers) I forgot. The book is about a guy named Mac, “Mom, I’m not doing another book report.” who solves problems. Then he gets into this Hullabaloo (I quote,) with this guy named Staples. And then Staples has a fight with Office Max. But not really. So it’s kind of a “mob” war between Staples and Mac’s groups. It rocks my socks. Read it.

Oh. Wait.I didn’t tell you where the story happens. See, Mac and Staples and all those people aren’t grownups or boring high school kids, either. They are 7^th graders. See, Mac takes care of business in the east wing bathroom at his school. And by “takes care of business,” I don’t mean he is making a stink in there. He’s running a totally solid business empire from the 4^th Stall.

My mom mostly made me add that last paragraph, FYI. She thought I wasn’t telling you enough about the story. She still doesn’t. Sheesh. Anyway, you should read THE FOURTH STALL, but not in the bathroom because well, that’s just nasty.

Anyway, I’ll make you an offer you can’t resist. Read this book and I’ll promise you’ll love it.

Is Your Novel ‘Readable’ or ‘UN-PUT-DOWN-ABLE’?

A couple of weekends ago, I hosted a session at the 2011 DFW Writers’ Convention called Bringing Pages to Life.  

The class was loads of fun–I met a lot of terrific writers, and since then I’ve been immersed in reading and critiquing sample pages from attendees. Of course, I’ve also been reading published books, beta reading for crit partners, and working on my own WIP.  

In looking at my own writing and that of others, one question plagues me:  

Is this book read-able, or is it un-put-down-able?  

Really, doesn’t everything–finding an agent, selling a book, finding an audience–***partially hinge on this one, crucial question?  

I think so.  

I think readable books… 

have a decent premise.  

have coherent plots.  

have believable dialogue.  

have sympathetic characters. 

have a narrative voice.  

garner nice, personal rejections from agents and editors.  

are damned with faint praise. 

languish in the slush pile. 

are destined for dark drawers.  

I think un-put-down-able books… 

have killer premises that hook readers and don’t let them go.  

have such compelling plots that readers can’t stop turning pages. 

have wholly convincing, honest, distinct dialogue.   

have living breathing characters with vivid dreams, recollections, memories, desires, and fears.  

have narrative voices so strong and so rich, they make readers laugh out loud, reach for kleenex, grumble in anger, gasp in surprise, and linger over passages,  

garner urgent requests from agents and editors.  

are ardently championed with with praise and recommendation.  

are pitched, sold, and slated for release.  

are destined to be bought, borrowed, and beloved.  

 Sigh. 

I know. It’s soul-sucking to think of our own work as ‘readable.’ But we can’t settle. We have to keep reading, keep listening, and keep learning. We can’t rest  or be satisfied until we write books that are totally UN-PUT-DOWN-ABLE. 

Hungry for more? Then try this recipe for Sweet and Salty Party Mix. One handful is never enough.

Binge!

***Yeah, yeah. I know there are plenty of other variables (timing, luck, notoriety, etc.) that factor into a writer’s sucess, but this post isn’t about those. So sue me.

Xmas Book Picks for the Xbox Generation

I have a kid. A rough and tumble, Xbox playing, iTouch texting, nerf shooting tween boy.

And you know what? He loves books.

Year after year, they’re on his Christmas list, alongside the video games, Lego sets, and foam darts. Yes, you heard me right. A boy. Who reads. Want to know my secret? How I created such a budding bookavore?

I’m sneaky. I lurk. I watch and observe. I find out what games and movies he loves and then I fiendishly offer books which complement them. Why fight pop culture, when you can pair up interactive media and a good book like tender steak and a fine Cabernet?

This holiday, why not encourage your own XBox kids to enjoy one of the following picks?

For the tween/teen obsessed with HALO, pick up a copy of ENDER’S GAME by Orson Scott Card (an amazing classic) or Brian Yansky’s riveting new adventure, ALIEN INVASION AND OTHER INCONVENIENCES. Both are guaranteed to please kids (and adults!)  into the whole rocket launching, would-be saviors of earth thing.

So your reluctant reader is more into zombies and ghosts, ala FALLOUT 3 or ALAN WAKE? No problem. Middle grade readers will enjoy Neil Gaiman’s THE GRAVEYARD BOOK, full of the supernatural adventures of a boy named Bod. Olders teens are sure to devour Jonathan Maberry’s smash PATIENT ZERO or his latest, ROT & RUIN.

**NOTE: Not that I’m biased or anything, but it should go without saying that any of A. Lee Martinez’ books (THE AUTOMATIC DETECTIVE, GIL’S ALL FRIGHT DINER)  are home run hits with the monsters vs. aliens crowd, too.**

For hardcore FINAL FANTASY or FABLE aficionados, I suggest Garth Nix’s SABRIEL or MISTER MONDAY. Both begin  fantastic, magical series. Arthur Slade’s steampunk-tastic THE HUNCHBACK ASSIGNMENTS will satisfy a hunger for epic adventure as well.  Many other great fantasy titles can be found here.

In the comments below, I’d love to hear what terrific books do you recommend this Christmas for the Xbox crowd.

Hungry for more?

Try this recipe for Snarf Worthy Caramel Brownies, one of my fave holiday snacks.

If SKYLINE was a NaNoWriMo First Draft…

**spoiler alert**

So I saw the movie SKYLINE this weekend. It was dissappointing, to say the least. SKYLINE is a bad movie that could have been great.

As I watched the big screen, I couldn’t help but see the movie as a semi-solid first draft. It was as if they took a freshly written NaNoWriMo piece and filmed it. If only the screenwriter, director, and producer had put more work into polishing the movie, it could have been EPIC. If only they’d revised as any good NaNoWriMo scribe would.

What revision lessons can writers learn from SKYLINE?

1. Prologues (usually) stink, so start where the story starts.

Don’t begin with the alien invasion and then backtrack to the day before. Build in bits backstory as the action unfolds. Or simply anchor the beginning of the story in the ordinary world, just before the action explodes.

2. Cut. Cut. Cut.

Only include scenes that matter. Don’t include irrelevent subplots. For example, don’t spend an ungodly amount of time developing a love triangle between a hollywood player and his two vapid mistresses if you’re just going to have an alien snap off each of their heads off midway through the story.

 Edit out any characters who don’t pull their weight and bulk up the ones who do. In Skyline’s case, we needed less rich-girls-we-don’t-care-about and more *cough*  hot and angsty, alien-punching ERIC BALFOUR.

What can you cut from your novel?

3. After editing out the fluff, deepen and develop the good stuff.

Skyline had a great premise, but it played out like a disjointed sequence of special effects scenes. It didn’t quite gel. (ME GRIMLOCK EAT A DELICIOUS VFX REEL AND POOP OUT SKYLINE.)

But if the creators of the movie had cut out some of the extraneous story arcs, they could have really focused on the characters that count, aka Jared and his pregnant girlfriend, Elaine. Their conflict, their relationship,was a great thread. But because SKYLINE squandered so much energy on other subplots, the movie ran out of time. At the story’s most climactic moment, SKYLINE just sputtered out. The film had a non-ending–no satisfying conclusion was offered, only the worst kind of ambiguity.

Boo, hiss. Don’t do that with your NaNoWriMo novel. Revise it to the point that it: 1.) has a satisfying, complete story 2.) has interesting, compelling characters and 3.) has an actual, HONEST-TO-GOD POINT, for crying out loud.

 Hungry for more? Whip up some alien-apocalypse-proof trail mix and then check out A. Lee Martinez’ most recent post, in which he writes the ending of SKLYINE so you and I don’t have to.

Binge!

Writing: Variations on a Theme

My agent once pointed out that both my current project and my new WIP explore similar themes. She meant this in the best possible way, and her observation holds true. I really do like to play with good vs. evil, alive vs. afterlife, heaven vs. hell.

I also read a lot of books and watch a lot of TV (SUPERNATURAL, anyone?) and movies with those same motifs.  Blame it on Star Wars or Indiana Jones or those hot Winchester Brothers… but I adore stories dripping with epic stakes, spiritual overtones, and classic symbolism.

What can I say? I just love a good variation on a theme.

And I’m not alone.

Donald Maass, in Writing the Breakout Novel, asserts theme transforms a manuscript into “more than just a story.” He believes theme is integral, emerging “from the very substance of the story.” While the patterns and messages of theme are finessed in final drafts, they can’t be tacked on or artificially manufactured. Themes begin in the subconscious and develop organically.

Mary Kole, my Abfab Agent, has also addressed this topic on her blog. She believes that in any work, “there should be distinct themes and ideas that you [can] point to as the center of your book.” To her, theme is “like magic… connections you never knew you’d made, common images and ideas that resonate with the larger meaning of your work, all sorts of interesting stuff.”

In her post, she explains how to develop these connections.

Looking for other resources on THEME? Try reading these:

STORY by Robert McKee

THE POWER OF MYTH by Joseph Campbell

THE HERO WITH A THOUSAND FACES by Joseph Campbell

List of Common Themes in Literature by Janice E. Patten

That’s a lot of THEMES…tell me, which ones do you write and dream about?

Hungry for more? Try this recipe for Angelic Peach Trifle. You’ll enjoy the layers and the subtle almond flavor.